Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
what's left unsaid
for a while now,
these words hidden buried in pockets
clenched tightly inside sweaty palms,
forming confessions, prayers,
intertwined with the lint and $1.25 loose change.

over and over ive memorised how they felt in the dark,
but i could never let them out.

is it a lie that i never let them see the light?
wrap them in apologies (too little, too late, i know),
leave them by your bedside window
for you to find on the evening i pack my bags,
walk out the door and leave everything behind.

and maybe that will be the heaviest regret of all.

--------

random burst of inspiration on a bus ride with a great view of the sunset.

also thinking of possibly remaking this blog (keeping the content but changing it a lot site wise) so am busy looking into a lot of that as of this moment. 
is this home. 
You try to settle within your skin,
the home you were long given,
make your bed between the bones and sinew.
Sometimes you want to tear the greying wallpaper down,
fingernails to wall to wall, corner to corner;
Take a hammer to the floorboards
Pry out all the dead memories and set them free;
Break all the windows, lie on the broken glass,
to just let yourself be.
The locked doors and broken hallways lead nowhere.
You light a match to the dust just so you can see.
I’ll rebuild this house from ashes just to live again;
carve marble staircases from blood sweat and tears.
I’ll rebuild this house just so I can finally breathe.
A short piece based on this prompt (I take no credit for the original idea):

Very few people in the world are born with unique, strange abilities. Yours is the ability to hear the music of people's souls.

---
An Unheard Song

You take a break from tending your flowers and straighten up, stretching in your neatly grown home garden. A couple strolls past on the street, laughing quietly between themselves. You pause, then you hear it. A soft, happy hum - almost like it's from a fairytale - from one of them, and the sound of excited, energetic guitar riffs from the other. You smile to yourself, and bend back down to tend to your plants.

You've had this gift since childhood. At first, you thought everyone could do it.

"All you have to do is listen," 10 year old you insisted six years ago as you concentrated on your mother's gentle lullaby, one she seemingly couldn't hear, to your bemusement.

Once you got older, you realised that this particular ability of yours is unique - not quite a curse, not quite a gift - just a part of who you are.

The fine details of every soul's song vary as the soul ages, as moods fluctuate and as people grow and change, but it always sticks to the same song, the same instruments and atmosphere, the very defining energy of a human being. When you first met your best friend, her soul's swinging and courageous choruses harmonised perfectly with yours. The reverb and gentle dream like world of your soul melded perfectly with her grand and fantastical one to create another moving song when overlapped. You'll never forget what it sounded like the first time you met.

Since then, both of your songs have grown and developed, but still harmonise in peace just like the very first day. You've been friends for seven years now, and you still remember her song perfectly even though your families have moved miles apart.

The next morning when you return to your front yard with a book and a cup of tea in your hands, there's suddenly a new sound in the neighbourhood, unlike any song you've heard before. It's a quiet melody, with hints of flute and the gentle twinkling of wind chimes, and completely out of the blue. You place your things down and follow the noise, tuning out the others of the neighbourhood - the jazz and the metal and the piano, every soul emitting their own unique songs into the universe.

You nod at the neighbours you walk by - you can recognise each and every one of them by song alone. But this time you don't stop and chat. Instead, you focus on the new song, tilting your head and following it into the small woods at the edge of the neighbourhood, where flowers bloom and trees tower towards the light blue sky. The music grows louder and louder in your ears until you see a teenager sitting alone amongst the grass and the bushes - a young boy - about your age.

"Hello?" You ask curiously and he looks up, startled, nearly falling back over into the ferns.

"I - Sorry." He stammers back nervously, hurriedly getting to his feet. His eyes and nose are red and cheeks smudged, and he quickly wipes his face, turning slightly away.

"Don't be sorry. Are you alright?"

He shrugs and you sit down cross legged amongst the grass, inviting him to do the same. He reluctantly settles down again and begins picking at the dirt beneath him. There's a moment of silence between you, and you wait for him to speak.

He takes a deep breath and rubs his eyes again, still not meeting your gaze. "Sorry. I just come here a lot. My parents aren't ever home. I just like this place."

"That's okay. I like this place too."

His forehead scrunches questionably, but he nods, and you lean back, still hearing his music all around you - soft and lonesome and calm.

You return to the woods almost every day afterwards, usually finding him there taking walks amongst the trees, humming to himself. Soon enough, weeks pass and you fall into a routine with him; telling each other stories, picking flowers and studying the plants growing there, laughing and recalling weird childhood memories and embarrassing moments.

As the days pass, he smiles more, laughs more, and begins to talk about his achievements in school, his love for playing the piano, his dreams for the future.

Although you can still hear the music of the rest of the souls not so far away in the neighbourhood, you start listening for his, and his song begins to sound comforting and familiar and safe, like home.

"I got a scholarship to this music school," he announces one day, as you two sit in the same spot you met several months ago. He beams as he plays with the grass, the unbridled excitement reaching his eyes.

You hug him and tell him how proud you are of him.

Later that afternoon as you two head out from the forest, the sun going down, you realise that the song in his soul has changed since you first heard it many, many weeks ago. Instead of a stranger's lonesome, almost melancholic tune, you hear threads of happiness intertwining in and out of the flutes and chimes, a certain hopefulness for the future. You smile to yourself.

"What?" He asks curiously as you two split off at the crossroads.

"Nothing." You reply. "I just want to say, I'm glad you were at the woods that day. I'm glad we met."

He smiles and nods gratefully. "Yeah. I'm really glad too."
Gone Now is the second album by Bleachers (Jack Antonoff), released June 2, 2017. After listening to it many, many times, here are some of my thoughts on it. 

Review originally posted on Medium


Gone Now feels like a story. Like a tragedy simultaneously unfolding and being dealt with, all between music that isn’t devastatingly sad, that isn’t energetically joyful, but walks that perfect bittersweet line in between. You can’t decide between triumphantly celebrating surviving something you never thought you’d survive, or collapsing into yourself with leftover devastation. The music feels anxious and sad but also distinctively hopeful and full to the brim with courage.

Bleachers has always, to me, felt like the kind of music you maybe find yourself humming to because it’s so catchy, and then you really sit back and listen to the lyrics and the meaning, and it’s devastating, and so powerful, and it hits you so hard with its depth and emotional complexity as you explore it further.

Gone Now has exactly that type of emotional intimacy and vulnerability. Sure, at the end of the day, it’s still an album that’s being bought and heard by thousands and thousands of others around the world, likely sometimes at the same time you’re listening to it. But you still feel, in the dead of the night, that it’s you and you alone with the music.

Personally, Gone Now feels like someone waking up one morning and slowly saying goodbye to the world. Fading away bit by bit, in a deeply introspective and personal montage. It’s a whole life condensed into a day, a weekend. Waking up, walking through the world, then they’re gone. As Jack mentioned in an interview before, this album reflects an idea about what everything would be like if he’s gone, and the cover of the album is what he envisions his picture would be like displayed at his funeral.

In that vein, and amongst all the complex issues Gone Now explores, this album really does condense a lot of emotional power into twelve tracks. It’s grief, loss, recovery, farewell, love, heartbreak, falling apart and holding yourself together, all woven between powerful melodies and layers and layers of sound and catchy vocals and music.

Simply put, it’s a certain type of catharsis coming alive in the form of an album.

Recurring themes tie the album together into a cohesive journey; no song really stands in a vacuum on its own, even though each has a distinct enough sound, setting them apart. Self references, repeated phrases, everything creates a cyclic story that makes the album less a collection of songs sat together and more of an interconnected emotional story from beginning to end. Initially, ‘Dream of Mickey Mantle’ directly references ‘I Miss Those Days’ and ‘Don’t Take the Money’; “I miss those days so I sing a don’t take the money song.” But there are so many more threads within the album.

Saying goodbye. Moving on. Leaving. Lost. Rolling thunder and cursed bedrooms. Strangers. Street corners. I gotta get myself back home soon. I just gotta get home.

Goodmorning, to the cops, to the kids, anyone who lent me a favour. Goodbye, to the friends I had, to my upstairs neighbour, to the kids downstairs, to the dream downstairs, anybody who lent me a favour.

And the very end of the album, at the end of Foreign Girls: “Goodbye…You should know that I loved you all.”

The honesty and devastation in the album never loses its impact even dozens of listens later. It’s an emotional concept album, and it feels, at the end of the day, exactly what a second Bleachers album would sound like. As a huge fan of Jack’s music, I didn’t fully know what I was waiting for, only that I was eagerly awaiting new Bleachers music, but after listening to the album, I knew I was waiting for this.

Apart from the themes and emotional impact of the album, sonically, there are so many intricate layers to every song that I’m still a little in awe every time I relisten to the album.

Jack recently posted the Making Of videos of 'Don’t Take The Money' and 'Goodmorning' on his Youtube channel. Amongst many other things, little intricate details like the sounds of the street recorded and played in the background of 'Don’t Take The Money', the harp in the background of the song that gives it its deeply bittersweet emotion; the trumpet in 'Goodmorning', the warped voice recordings — all these little details that we don’t consciously notice listening to the music, but which really, really complete the songs — all of those details give Bleachers’ music the depth that I really love about it time and time again.

Along the line of Bleachers’ music, on a final note, Gone Now also feels in some ways like a musical sequel to Strange Desire. The ‘I’m Ready To Move On’ in the 11th track of Gone Now. The “I wanna be grateful” that can be heard at a few points in the album. And also, if I sit down and listen to Strange Desire from beginning to end, and have ‘Who I Want You To Love’ fade into ‘Dream of Mickey Mantle’, it has an almost natural progression forward.

Gone Now is almost definitely one of my favourite albums of the year, and it’s not even mid July yet. It’s an emotional and incredible musical experience at any time, but personally, it really does have a special impact listened to at night — on a long drive, on a walk through the neighbourhood alone, lying in bed before falling asleep.

There are so many more things that could be said but what it really comes down to is that this is definitely an album that deserves a listen — then several dozen relistens. And many, many more.
DD Writing Prompt Series 
In which I choose one piece of art from previously or currently featured DA's daily deviations as a prompt, and write a short story/piece inspired by it.

I take no credit for any of the artworks/pieces chosen. Credit will be given and all rights of artwork content go to the original owners and artist(s). Used for personal writing/recreational purposes only. 



--
A Life Regiven 

The scent of putrid water fills his nostrils, the humidity clinging to every inch of him as he guides the boat into a relative stop with immense difficulty. It floats silently against the dead machinery before him. The skeleton of metal towers several dozen meters high, a twisted, long abandoned ship left to rot in the waters.

He heaves the heavy backpack off his shoulders; it clangs as he drops it to the floor of the metal boat. With one swift movement, he retrieves the cord and swings it forward; it latches perfectly onto the rusting propellor in front of him, and he attaches the other end of the cord to the boat.

It takes a few minutes of ruffling to find the blueprints, crumpled and slightly waterlogged sitting at the bottom of all the equipment. Sketches and scribbles detailing the making and building of a now outdated prototype of a robot - the A732-V. His very own invention. His shoulders sag for a moment as the faded sketch of the metallic figure seems to come to life before his eyes.

Missile right this way, sir. Do not worry sir, I will protect you. 

The last words of the long gone robot echo in his mind as he brushes the papers to the side, following the cord’s guidance and leaping onto the propellor. It creaks underneath his feet as he pulls himself onto the abandoned wreckage.

He removes a screwdriver from his belt and gets to work on one of the proximity sensors attached to the shell.

Like hell he would ever let another directed missile get close enough to him or his companions and wipe them all out again. He shakes his thoughts free of the carnage in his memories, concentrating instead on what’s in front of him, and the slow, steady dripping of water from the rusted metal arcs far above. The sensor before him has long since given way to layers of mould and rust, but he kneels determinedly in front of it, chipping resolutely at it in the semi darkness. It’s broken off ten minutes later as he gently pulls the wires out of the hollow shell of the ship. He places the device in the pouch on his belt and continues crawling deeper into the wreck, listing off pieces and devices in his head like a shopping list.

His metal arm, crudely made but well polished, clangs against the side of what used to be the ship's inner cabin wall. He waits for the sound to echo into silence before he begins to take apart the control panel, hands gentle and precise as they cut away at what’s needed.

It’s only two or three hours later that he takes a deep, shuddering breath, finishing his scavenge of the ship with his body aching in exhaustion.

He wipes down the oil and moisture on the metal parts of his makeshift body, keeping the surface as clean and low risk of rusting as possible.

As some of the last rays of sunlight fade from the swampy belly of the wasteland, to be replaced by cold moonlight, he heaves himself back onto the roof of the ship, carefully unlatching hook and cord and leaping gracefully back onto his boat. It rocks slightly in the murky water as he lands on it, depositing his findings into his backpack. Taking the metal rod from the bottom of the boat, a makeshift oar with a plate of metal hammered into it, he pushes his boat away from the empty hull of the ruined airship. It takes a good amount of movement for the ageing motor to finally start up again, spluttering weakly into life and guiding him through the deep, oily water.

He unfolds the papers again and stares down at his own hand drawn documents, depicting every instruction needed to build a A732-V. He sits down with a sigh, floating past the silhouettes of towering, long abandoned ships, ominously shadowed all around like a ghost town. He stares at the tiny microchip taped safely to the inside of the boat. It’s barely the size of his thumb, burned and singed, but still - hopefully - holding what’s left of the memories and consciousness of his old bot. The bot that sacrificed its own life to shelter him from the blast.

“I’m gonna build you once more buddy, gonna keep trying, no matter how many places I gotta rip apart to get your parts. And listen, I won’t let those bastards hurt you ever again, hear me? I promise ya.”

There is no response but the eerie quiet, and the continued slow dripping of contaminated water, falling down from far, far above.
between us
We’ve walked lifetimes to meet here,
opposite sides of a river rolling, dancing downhill;
turmoil and crashing currents of impossibly, between the love,
the warmth, all of it and none of it.
We speak as if we’re side by side,
words drifting through the tides turning back and forth on my tongue,
threatening to drown us both.
Here’s a crashing river, we’re brought here to stand across,
here’s a crashing river between us, never to be crossed.
forgiveness
We can turn the guilt between our fingertips, wondering,
if we can’t forgive ourselves for all the small things,
how can we forgive ourselves for anything?
Confess our sins at a broken down payphone late at night,
heard by no one but a dead end road.

Maybe we don’t deserve this 25 cent salvation -
a dial tone buzzing on and on.
I know you’re tired of tasting apologies between my teeth,

for all these things I can no longer change.
(of loss)
every night the heaving of breaking bones,
there’s a moth with a broken wing and it beats endlessly in your chest.
frail fingers’ hold to hope like spider silk,
a baby bluebird with crooked feathers looking to the sky.
falling through the cracks of hope in endless dusk and dawn,
a body curled up on its own in the ferns,
sinking through the trampled soil and torn up roots.
A/N Couldn't sleep. Was listening to M83’s Junk which inspired most of what’s below.

TW: Death

Last of Time

"Lost memories, faded pictures…where did you all go? 
Old memory, from the limbo, from the night.”
-Sunday Night 1987 (M83)

Tendrils of space reach from all sides, trailing gently, assuredly, as he sits gazing at the never ending expanse before him. They had sent him too far. He tries to understand the eternal consequence of a miscalculation, an accident. He was once their star pilot. Now he’s nothing but a ghost, a phantom limb, never to return. Things lost at the edge of space are inevitably forgotten. People too.

He looks down at a single tattered photo tucked under a tangle of wires on the dead control panel. He removes it and stares at the smiling faces of him and his friends, frozen in the past many, many months ago. The photo is long faded by time, the edges slightly tattered and worn. He runs a finger over it slowly, a weak smile twitching on his lips. On the control panel there is only one device that still works, running on the last legs of batteries. With a slightly shaking finger, he presses play.

Hey how are you doing man? It’s been forever since we saw each other. You remember the old primary school playground right? They tore it down a few days ago. I know, tragic right? And I thought maybe we could go visit it when you come back. 

His chest clenches and he sits there unmoving, not making a single sound.

What's up? Hope things are good out there. They opened this new ice cream store a block over, you’d seriously love it. They have the weirdest flavours, that’s always your kind of thing. Gross. But that’ll be the first place we go, promise. Hurry your ass back here. 

The voice falters into static as the device runs out of power at last, the lights blinking once, twice, then nothing.

He breaks it off and clutches it to his chest, fingers grasping the hard edges of the small communications recorder so hard it begins to hurt against his skin and bones.

With a final resolve, he returns to the back of the cabin. It’s all routine, muscle memory. He quiets his brain and lets his body do the work. He runs a hand gently over the suit.

Several moments later, he is floating outside, held delicately by the curling tube, an umbilical cord tethered to a lifeless mother.

He feels each gentle breath in and out of his lungs. The world collapses then expands around him. The distant stars blink indifferently back, dots of light perhaps long perished now. Time melts into nothing. Fading stars, supernovas, black holes. Elements clashing and seething and burning, but it’s all so impossibly far, everything so impossibly cold. God must be the universe itself.

The cord keeps him gently connected, but he lets himself float freely, slowly closing his eyes.

The memories, they wash over him, every small, insignificant word, laugh, joke, touch, smile, all of which begin to expand bigger, stronger, brighter, more than the universe itself. The memories, they push and pull like an ocean tide. He sees their faces, hears their voices, and lets it all overwhelm him in one single moment. He clings desperately to each moment, only to feel them evaporate slowly away from him. He prays for just one more minute, one more second. Just to have it all back. He swears he will never let go again.

Can’t wait for you to come home. Tell me when, I’ll pick you up. See you soon man. 
(bodies)
this body bends and breaks around
the bones that struggle to hold a
frame
steady and in place.
the taut skin pulled tight around
sharp discomforts
serrating the insides.
sculpt a smile,
hold your breath for just a while.
place your voice down on the floor,
place it between your feet.
close your eyes so you can’t see
them wearing your skin down thin.
body breaks through
bones that hold a misshapen frame
forever steady and in place.
in the stars
swimming in the indigo night above,
we were immortalised by the stars.

how they heard our quiet words,
saw the smallest smiles,
hair billowing out window sills,
highway blues at twilight,
silhouetted by the horizon laughing breathless,
arms spread wide to the sky.

captured by the pinpricks of light,
in a million years when our time is done,
they travel on,
remembering the years
we sang our voices hoarse,
we ran danced laughed at the edge of the world.

I could have frozen those moments in time,
delicately into amulets of amber,
threaded soft blue string through,
hung them on our necks against our chests.
we were immortalised by time,
we live on through the night.
mantra
the soft thrum of pulse underneath the chest;
it spells a mantra, on repeat.
i want it to be better, i don’t want to get better.
there are floods and avalanches in the veins,
in every breath.
fight it or drown. fight it or be buried.
inhale the bedroom fumes,
pinch the skin, again and again.
slivers of memories fill peripheral visions,
the single sound of the door closing behind him,
fills the head again and again.
your mind is in the skies, in the clouds,
not here nor there, resting peacefully
unmoving in a field somewhere.
waking in cold sweat, you see storms
and storms, you can’t breathe.
the soft thrum of the heart,
it spells a mantra, again and again on repeat.
i don't want it to be better, i want to get better.
untitled feb 12
The street is dark and deserted, only barely illuminated by the last one or two lit windows in the distant building. I take my earphones out and let them fall into my jacket pockets, taking in the bitingly cold world at 3 am, silent apart from the slight crunch of my boots in the snow. The stars swim, strikingly clear, in the indigo sky above. I glance up, far above, to the full moon as I continue walking forward, with no real destination, but just an unwavering feeling of needing to keep going. 

My fingers are numb, eyelids heavy, and I feel my face slowly numbing, but I know I can’t go back home right now. I swallow the rapid, heavy beating of my heart and narrowly avoid stepping into a deep puddle of icy water. I focus on my breathing and my steps and nothing else, the freezing cold and surreal feeling of total isolation washing over all my senses. 

A slight breeze dances past me and I pull my jacket closer to myself. I barely plan out where I’m going, but my feet lead me towards the old destinations, somehow needing to relive them every time. Here is the field where I played pretend with my friend, there is the playground where I ran until I dropped to the ground in exhaustion as a kid, and there yet again is the forest where I saw the coyote that one time my parents were driving me home from the hospital. I could barely see over the car dashboard back then. I remember my mom hugging me close as I pointed excitedly at the animal shape at the edge of the trees watching our car roll past. I wonder if she remembers that moment, that memory that has oddly stayed completely lucid with me more almost ten years later.

I stand by the road - the street lamps are broken, one is flickering eerily several feet away - and stare into the forest. If I try hard enough, I can almost make out a shape staring back and I turn away, heading off the road into the small backyard neighbourhood hidden behind the fields. 

There is not a single noise or movement at this hour. I pass a daycare, the small swings and benches indifferent in my peripheral vision. Still, I recognise every one of these places. If not by sight, then by the stirring of familiarity in my chest as I pass them. The world feels underwater, resting at the depths of an unseen ocean. It feels like the entire universe is asleep and no matter how far I run or how loudly I shout into the sky, I will not wake it up. I only feel oddly serene as I navigate the side roads with no sense of urgency; passing by quiet houses in the near distance, gaze brushing past the bikes leaning against the walls and the quaint snowmen standing unmoving in the snow.

I try to take each scene in in a way that overwhelms me, making the present reality so large and all encompassing that it leaves no room in my mind for anything else.

I keep walking. I’m far from home now, having taken a long detour into a neighbourhood which I haven’t truly ventured into since I was in elementary school. I find myself smiling despite myself and I stand in the middle of the road for a moment. There is no car in sight and I stuff my hands deeper into my pockets, craning my head upwards and staring at the sprawl of stars ahead; splashed into the sky like a sweep of a paintbrush. They blink and glimmer, huge cosmic giants big enough to swallow the earth whole, condensed into a speck of light in the darkness. I might as well be invisible, a flicker of life in eternity, at this one particularly insignificant moment in time staring off into the night. 

I breathe out, watching my breath clouding in the air in front of me as I look back down. I don’t recognise what I feel. I only step back onto the sidewalk and crunch my boot into the ice, the noise oddly pronounced in the silence of the night. 

Then I turn and begin to take the long way back home. 
kid games
(when) I was little;
he tore the tendons right out of my heart,
fingernails scraping against muscle, sinew.
chewed it up and spat it back -
barbed wire. all hard edges and sharp hooks.
serrated my teeth and burned my tongue,
that’s how I learned to live.
even a laugh is ugly, a threat, a defence.
stay away from these bones and flesh,
I will tie knots in the wire,
bite it into two,
spit it right back as he did, right back at you.
a desperate man's plea,
tastes like a dissonant chord held between the teeth.
if you hollow out his chest, take a spade to the charcoal
lungs, replace the sinews with tightly wound
corkscrews.
a breath held under icy water and never let go,
sharp and thin and neverending.
desperation yields a disfigured disillusionment,
a hatchet to the dissonance,
to the stomach to the guts.
a desperate man’s plea that falls silent,

silent on deaf ears and it will never be heard.
untitled 01/09/17
all those laments about leaving.
dreams of crossing your name off of every memory,
every face. scramble the letters,
find a new alphabet for yourself all together.

it’ll take years to untangle these threads
to moments and memories and mortuaries,
in your dreams it takes a second, a single clip
of the switchblade. they all fall to the ground.

all those laments about leaving.
in three years they won’t remember a thing. 
The End of the World
A/N: A short story I wrote for my creative writing class last semester. Thought I'd post it.

This is the end of the world. The morning mist rolls over the forests, stretching towards the horizon. I stand at the edge of the cliff, staring out at the landscape; it’s like a pastel painting carefully traced out in front of me, not quite real, but just well done enough to appreciate.

Enough time has that most of the last traces of civilisation have been grown over, swallowed by nature. The will of God, as the voices say. Soon, the earth will forget entirely of the human race. Weeds and vines have curled over the cracked concrete and twisted metal, and serene animals step over the hidden roads beneath layers of soil and roots, grazing quietly and happily.

I sit cross legged at the edge, a ball of clay in my hands. It’s what I’ve been doing since the very start, sculpting statues out of clay. I have long since lost track of time as everything melted into continuous eternity, but still, I try to preserve the human race in the careful features of each sculpture, each curl of a finger and sweep of a brow. Each new day I would create a new one, and the next morning I would let it crumble, and simply start again on another.

I carve the finishing touches on my latest one, a tall, smiling woman who gazes solemnly over the rolling valley stretching out before the cliff. I pick my way back to my bed in the grass at the top of the hill, and walk past it down another curved path that leads into the valley. The trees tower beautifully above, their arms criss-crossing the light blue sky. The sunlight filters tentatively through the cracks and pours over the forest floor, warming my back as I continue deeper, picking a quiet spot in a clearing, surrounded by small, lightly coloured flowers.

I cross my legs and wait. Soon enough, the animals begin to appear.

In the beginning, they were tentative, scared, uncertain. They can sense everything that is within me - thousands of years of human history in one body. But eventually, when I made no sign of hurting them, they came, one by one. And now, wherever I go, I can always simply sit down and let them come to me.

I place a gentle hand on the fawn who makes its way over to me and nudges me on the nose.  A bird flies and flutters and lands on my shoulders. A squirrel scampers down from one of the trees and rests next to my knee. There is a compassionate beauty to everything, something I wished I could have someone to share with. I know that I hold an infinite amount of lives within me, that I am countless and boundless, composed of the start and end of humanity and everything in between - but still. There is something simple about having a ear to listen, a body to embrace. The animals come and go and I watch the sun rise and begin to fall. I stand up and feel them return back to their homes. A few of them follow me, matching my step, until I reach the edge of the forest again and begin to climb my path back up the hill.

In my time here, I have walked miles and miles towards the horizon. It never ends, and I can only imagine how much more I will see in the future. It doesn’t matter, because I have forever. For now, I return every night to my bed in the grass on the hill, the highest hill in the valley area. There, the grass is soft and the flowers wave gently in the breeze every night. Behind me, the sun sets, casting the sky into milky shades of yellow and orange. I lay down in the cool grass and close my eyes; a light wind flutters through my hair, and I let myself slowly fall asleep to the sounds of birds singing gracefully in the distance.

I see the very end again, how extinction came not in fiery explosions and catastrophes, but in a quiet and serene night. I remember the voices who told me, in my sleep, that it was time. By the next morning, every human had vanished. Every life gone. The plants and flowers and vines grew faster and faster that day. I watched how they overtook gas stations and shopping malls and apartment suites, bringing them back to the earth. I was just a young woman before, but the next day I awoke with the memories of every human life in me. I was the last and only relic, a living memorial of humanity. And I was left here to guard the planet forever.

Every night I sleep I dream. I don’t dream of new stories or imaginary worlds, I dream of memories. In my dreams I relive every part of the human race, the experiences of every one who has walked this planet before. In that, they are all still alive within me. I feel a mother’s fiery protective love for a child in danger, I feel the grief of a son who suffered the loss of his best friend, I see the fall of the Berlin Wall and the horrors of all the wars from the very beginning to the end. Every night I sleep I remember.

I jolt awake in the darkness. Strange. I normally sleep peacefully for hours on end, with nothing to disturb me and no chaos or anomaly to worry about. But now I sense something off. I get up and walk down to the edge of the cliff, looking around. Darkness falls over the valley, and the sky is awash with stars blinking down at me. Then I see the scuff marks at the edge, where my clay sculpture stood just few hours ago. My heart thuds within my chest. It’s gone. I look back up the hill and my breath catches when I see a flicker of a shadow move and vanish.

I scramble up the hill, pulse quickening, and I see it again. A humanoid shadow that wavers, then moves almost too quickly for my eyes to catch. It goes down the path and I run after it until I reach the edge of the forest. It’s tall and unsteady, hiding a little bit into the forest, peering through the cracks between the trees. A pair of glowing eyes stares back at me, then blinks.

“Hello?” I call out, voice wavering. A voice I haven’t used in so long already. I take a tentative step forward. The shadow shivers and begins to turn. “No, wait! Don’t go.” It falters and stills between the trees. I walk forward, dodging between the trunks and branches and fallen logs on the leaf strewn ground. As I near, I see a tall, graceful woman staring down at me. She seems almost translucent, and shivers again when I approach.

“You’re the woman I sculpted yesterday.” I whisper in awe.

She blinks and suddenly a small smile appears on her dark skinned face, making her eyes twinkle. “You have poured so much love and attention into us for so many years already. So much that you put some of your lives into us. Did you think you’d be alone forever?”

I hesitate, at a loss of words. “Is it just you?”

“I’m the only one who has found life through your hands, but if you wish, there might be many more of us.”

I take her hand. It’s soft and warm, and I’m surprised by how human it feels.

“They won’t let it happen.” I say softly.

“They?” She asks curiously.

“The voices. The universe. The human race was meant to end on that day. I was meant to be the only one left to preserve it. Just me, nobody else. It was their will. Now that you exist…” I trail off and stare into her eyes. They’re uncertain, wavering with emotion. Once again, so human, too human. “They won’t let you exist, either. Your very existence interrupts the natural order of the universe.”

Just as I finish the sentence I sense a commotion behind me. My heart stops as I see several pairs of blinking eyes in the trees. There are low growls and out of the trees come five wolves, hackles raised and black fur bristling. I recognize these wolves. Just a few days ago I was playing with them in the fields nearby.

The wolves move ever closer, and I can almost taste the scent of fury and wrath rolling off of them in waves. It says, you have sinned, you have turned your back on us.

I cast one more glance back at her. Her eyes are frightened and concerned, brimming with confusion. Suddenly impulse takes over me. I grab her hand again and turn, pulling her with me.

We sprint through the forest, my feet finding the way by intuition and muscle memory alone. The wolves bound after us but I don’t look back. I know the forest and the valley as well as I know my own palm. And I know that we all have a place here.

We make our way through the trees and I can still taste the tang of the wolves following us, the distant pounding of paws and sharp growls echoing through the air. I imagine their claws and fangs sinking bloody into my skin, into hers, I see her crumbling into clay dust before me, and suddenly it is my only desire for that to never, ever happen.

I make a sharp turn and we dive into a cave at the edge of waterfall, a cave I usually go to myself to rest and think during the day. In the damp, barely illuminated shadows, I take a moment to catch my breath. She sprawls next to me, a hand still on mine. I’m trembling, my mind racing through the motions. Just a few hours ago I had been the only human left in the world, and had believed I would be for the rest of eternity. And now, here is another one, another human. A simple reflection of all the humanity I hold inside of me. She smiles, then speaks.

“You aren’t alone anymore.”

“I never really was,” I say softly. “I have the world inside of me and outside.”

“But now you have me as well. I am new life. And with your hands, there can be more of us. We can find a way to live in harmony with the universe again.” She reassures. “You say that we are interrupting the universe, but the universe ebbs and flows like river water, it is change and growth and new beginnings. This is who I am, and this is a beginning.”

There’s a sharp growl at the cave entrance and we both turn, startled. A wolf, the leader of the pack, enters, fangs bared. I feel the temperature drop in the cave, and inside my mind, flickers of past violence, destruction, horrors, of all the people who have lived before me.

She suddenly shuffles forward, bowing her head calmly, then extends her arm. My breath catches as she speaks, placing one palm on the forehead of the wolf.

I watch as more and more wolves begin to crowd at the entrance, blocking the light and casting us in shadow.

Her hand does not move from the wolf as she begins to speak. “We’re here in peace. We were created out of love and that is how we will live. Look inside of me, see my heart in candor.”

The low rumbling and growling shake to my core, and I do not dare to move for several moments.

She closes her eyes and smiles, her palm brushing the wolf’s muzzle.

Gradually, the wolf’s hackles fall, eyes soften.

The wolves at the entrance hesitate, then retreat from the entrance, letting the sunlight back into the cave, bathing our figures resting there.

Slowly, the wolf lies down and curls around her, breath deepening.

My fingers trail to the clay at the back of the cave and I smile. I look at them, and I see the beginning of the world.
untitled 12/12/16
3 am, muted glow in the fog drenched sky.
Street silent and unmoving, layered snowfall swallowing
daydreams, memories, lost in the cold
and gentle air.
Across, the buildings silent, inside them
two dozen sleeping soundly,
a single warm window glow several houses down.
I lean against the frosted glass,
I take in the unseen unheard stories born
in the thralls of winter nights.
I finished Nano! By some miracle, I hit 50 000 words yesterday.



The novel Indigo Futures - which is still tentatively titled - isn't fully finished yet and still needs to be polished. But it's finally surpassed 50k and is nearing the ending. It's probably going to take months and months of editing before it's presentable, but really glad I managed to put down the groundwork for it. Cheers. Here's to another round next year. 
Found some older poems around that I haven't posted on here before (3/3)

supernovas in your stomach
the stars spin heavy in my vision
and I slip, tendrils trailing from fingertips
into the indigo sky.

there is a nebula scorching my insides,
cracking ribcages and collapsing lungs.
solar systems are spinning circles
in my throat.

they’re crashing out of control.

losing sight of it all again,
thoughts will spiral into galaxies above.
a supernova melts my neurones
weightless and untethered, burning through.

I let the silver threads tangle through heartstrings,
feel my stomach plummeting again,
a sickly sweet feeling of flying, falling.
unreachable.

the night sky is so boundless and inevitable.

I swallow the aching silence,
let the stars collapse in my chest
cascading atoms through the veins,
they cannot and will not ever rest,
I am never to rest again.